| Chasing 
          Hot Copy We 
          are sitting here in Queens, New York, not too far from JFK, thinking 
          about the past few days. Not so much about the kids, for a change 
          (although daughter-in-law Christina is on the May 2010 cover of Esquire 
          Magazine, voted most beautiful woman in the USA by readers).
 Right now, our thoughts are immersed in 
          the 2010 Iceland volcano – a story that may not be over just yet.
 We followed that story as it was happening, 
          every day, until the airports of Europe reopened and beyond. As a result, 
          Air Cargo News FlyingTypers created eight issues in a row.
 We accomplished this with the help of 
          reporters, readers, associates and friends around the world, all ready 
          to contribute.
 But we also were able to do it because 
          in our heart we have and always will be daily newspaper reporters.
 Sure, the newspapers (in my case, The 
          New York Herald Tribune) are now long out of business.
 But I started running hot copy, back in 
          the old days of cold type, so however much the format changes, I guess 
          the ink still runs in my veins.
 As it happens, living in the greatest 
          city in the world also opens the door to some unique experiences.
 This week the Film Forum, a theater in 
          Manhattan that shows old movies, is showing a series of the greatest 
          films ever made about the once-booming newspapers and the people who 
          populated the newsrooms, creating the world that we are all a part of 
          today.
 Watching these films can tell you why 
          we love the work we do.
 In case you can’t make it to NYC 
          to view these movies in person (airing between now and mid-May), here 
          is the line-up, as well as a few words from reviewers.
          
            |  |   The Tarnished Angels:"(It) betters the William Faulkner source text in every way, from 
          the quality of characterization to the development of the dark, searing 
          imagery. Made in b&w CinemaScope… it should be seen in a theater 
          or not at all."
 -- Dave Kehr
 
 
  While 
          The City Sleeps: "Lang's worldly admiration for the newfangled power of modern communications 
          in the service of the civic good is matched by his wonder at the human 
          specimens who make it their playground."
 -- Richard Brody, The New Yorker
 
 His Girl Friday:
 "A celebration of the spirit of American journalism at its finest. 
          Captures the romance, the cynicism, the idealism, and just the pure 
          chaos that is the part, and sometimes the best part, of working for 
          a newspaper."
 -- A.O. Scott, The New York Times
 
 Nothing Sacred:
 "Combines the giddy foolishness of screwball comedy with a satire 
          of just about everything--small-town taciturnity, big-city pretentiousness, 
          media hype."
 -- David Denby, The New Yorker
          
            |  |  
          
            |  |   The Harder They Fall Ex-sportswriter Bogart (in his last film) opts for fight-fixing Rod 
          Steiger’s bucks as he promotes no-talent Mike Lane to the championship 
          — but Max Baer has other ideas.
 
 Citizen Kane
 From its Gothic opening at looming Xanadu, through its conflicting accounts 
          of a news magnates’ public rise and private fall, to its legendary 
          final shot, Orson Welles- O-Rama!
 
 Five Star Final
 Tabloid editor Edward G. Robinson’s gloating over skyrocketing 
          circulation turns to glass-shattering horror when mortality ensues over 
          defrocked clergyman Boris Karloff’s latest exposé.
 
 Ace In The Hole
 Billy Wilder: “I can do big news, small news, and if there’s 
          no news, I’ll go out and bite a dog.”
 In Wilder’s most venomous attack on American greed, cold-blooded 
          reporter Kirk Douglas exploits a doomed man, then wins a Pulitzer.
 
 
  The Big Clock Monomaniacal magazine mogul Charles Laughton orders Crimeways editor 
          Ray Milland to track down a murderer — with all clues pointing 
          to Milland himself.
 
 And just in case you need 
          some filler to keep a good thing going for the subway ride home, Film 
          Forum says it will have copies of Neal Gabler’s expose of Walter 
          Winchell, ace reporter and gossip columnist who once ruled the newspaper 
          world in New York, for sale at the popcorn stand.
 The Film Forum is celebrating its 40th 
          anniversary as New York's leading movie house for independent premieres 
          and repertory programming and has been a nonprofit cinema since 1970.
 More: http://www.filmforum.org/
 Geoffrey
 
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